8.11.2018, 11:30 Uhr
Novemberrevolution: Symposion zum 100. Jahrestag des „deutschen Frühlings“

Venue:
HFBK Hamburg, Hörsaal (Raum 229)

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„Was bleibt? Eine Revolution, die einen Weltkrieg beendete, parlamentarische Demokratie erkämpfte, die aber noch viel mehr im Köcher hatte. Die revolutionären Arbeitermassen wünschten eine neue Form von Demokratie, die nicht bloß parlamentarisch sein sollte, sondern auch den Kapitalismus und Militarismus abschaffen wollte, eine Demokratie ganz neuen Typs’. Ob dies neben oder mit einer Nationalversammlung möglich war, bleibt offen. Aber es war eine ungenutzte Chance. Hätte die Novemberrevolution wenigstens in Teilen gesiegt, es hätte vermutlich keinen Hitler und vermutlich auch keinen Stalin gegeben.“ (Klaus Gietinger: November 1918. Der verpasste Frühling des 20. Jahrhunderts, Edition Nautilus, 2018)

Programm:

11:30 Uhr

Julian Freche: Von der Meuterei zur Revolution. Der Matrosenaufstand in Kiel

13:00 Uhr

Klaus Gietinger: November 1918. Der verpasste Frühling des 20. Jahrhunderts

Pause

14:30 Uhr

Michaela Ott: Revolutionsversuche in Gesellschaft und Kunst: Anarchismus, Bauhaus, Dada

15:30 Uhr

Hans-Joachim Lenger: Ordnung herrscht in Berlin? Rosa Luxemburg heute

Organisiert vom Studienschwerpunkt Theorie und Geschichte

Artwork by Ana Okshina at Annual Exhibition 2026; photo: Lukes Engelhardt

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Cemile Sahin, ROAD RUNNER, 2025, installation view at Esther Schipper, Berlin; photo: © Andrea Rossetti, Courtesy of Cemile Sahin and Esther Schipper, Berlin/Paris/Seoul

Writing in Future

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View into the auditorium of HFBK Hamburg; photo: Lukes Engelhardt

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Opening of the Graduate Show 2025; photo: Sinje Hasheider

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Pablo Torres Gómez, Earths's Ears, 2025; photo: Pablo Torres Gómez

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Maria Ignatenko, false movements, 2024, work in progress; Filmstill

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Estefania Morales, I Drive, God Guides ( yo manejo, Dios me guía), Detail; photo: Tim Albrecht

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The cinema in the new film house, Finkenau 42; photo: Tim Albrecht

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Open Call: Redesign Democracy - Reimagine Voting; graphic design: Konrad Renner

Redesign Democracy – competition for the ballot box of the democratic future

As part of the research project Redesigning Democratic Representation (Re·De·Re), the HFBK Hamburg is organizing a competition for the redesign of ballot boxes and the voting process on the occasion of the 2025 Bundestag elections. What could the ballot boxes of the future look like? All information on the competition and the project can be found here.

Park Ficiton, Palmen Feliz Nedra, 2003; photo: Margit Czenki/Park Fiction

Art in public space

What is public space? Where does it begin or end? What understanding of the public sphere is it based on? The current issue of Lerchenfeld magazine sheds light on these and other questions

Blick in die von Nadine Droste kuratierte Ausstellung von Master-Studierenden im ICAT der HFBK Hamburg zur Jahresausstellung 2024 (im Vordergrund die Arbeit von Paula Hoffmann und Laura Mahnke); photo: Lukes Engelhardt

How to apply: study at HFBK Hamburg

The application period for studying at the HFBK Hamburg runs from 4 February to 5 March 2025, 4 p.m. All important information can be found here.

Many people stand in front of a wall with portrait photographs

Work by Atu Gelovani at the opening of the Annual Exhibition 2025 at HFBK Hamburg; photo: Lukes Engelhardt

Annual Exhibition 2025 at the HFBK Hamburg

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A sculpture of a small elephant that functions as a climbing frame in a park in Hamburg

Der Elefant im (öffentlichen) Raum Hamburg

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Exhibition view on the occasion of Hiscox Art Prize 2024; photo: Tim Albrecht

Hiscox Art Prize 2024

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The cinema in the new film house, Finkenau 42; photo: Tim Albrecht

Opening of the 2024/25 semester centred on the new film house

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"The New Woman - How Female Artists and Designers shaped the Image of Modernism", graphic by Liudmila Savelyeva, Karla Krey, Amira Mostafa (Klasse Digitale Grafik)

The New Woman

The exhibition "The New Woman - How Female Artists and Designers Shaped the Image of Modernism" presents more than 50 works by 14 selected female artists and designers who studied at the Staatliche Kunstgewerbeschule zu Hamburg, the predecessor institution of the HFBK, from 1907 onwards. At a time when women were still denied access to many other art academies.

Detail: Installation by Mark Morris; photo: Tim Albrecht

Graduate Show 2024 - Letting Go

From 12 to 14 July 2024 (2 - 8 p.m.), more than 160 graduates from the 2023/24 academic year will be showing their final artistic works in a comprehensive exhibition at the HFBK Hamburg. In addition, all graduation films will be presented in the new cinema hall of the Filmhaus at Finkenau 42 as part of Final Cut.

Julia Scher, Territorium, 2024, installationview at ICAT of HFBK Hamburg; photo: Tim Albrecht

Finkenwerder Art Prize 2024

The US artist Julia Scher will receive the Finkenwerder Art Prize 2024, while Anna Stüdeli, who studied sculpture at the HFBK Hamburg, will be honoured with the Finkenwerder Grant from the HFBK.

Archives of the Body - The Body in Archiving

With a symposium, an exhibition, a film programme and a digital publication, the research project conceived by Prof. Hanne Loreck and Vanessa Gravenor examines the "archive" as a form of order with regard to the human body. Which body archives and discourses have become established? What potentials for political-aesthetic resistance and activism could and can emerge?

Sharon Poliakine, Untitled, 2023, oil on canvas, detail

New partnership with the School of Arts at the University of Haifa

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Work by Franziska Koepsel at Annual Exhibition 2024; photo: Lukes Engelhardt

Annual Exhibition 2024 at the HFBK Hamburg

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photo: Tim Albrecht

(Ex)Changes of / in Art

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Extended Libraries

Knowledge is now accessible from anywhere, at any time. In such a scenario, what role(s) can libraries still play? How can they support not only as knowledge archives but also as facilitators of artistic knowledge production? As an example, we present library projects by students and alumni, as well as our new knowledge space: the Extended Library.

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For over 20 years, US artist Rajkamal Kahlon has been interested in the connections between aesthetics and power, which are organized across historical and geographical boundaries, primarily through violence. With this solo exhibition, the HFBK Hamburg presents the versatile work of the professor of painting and drawing to the Hamburg art public for the first time.

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photo: Miriam Schmidt / HFBK

Graduate Show 2023: Unfinished Business

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A disguised man with sunglasses holds a star-shaped sign for the camera. It says "Suckle". The picture is taken in black and white.

photo: Honey-Suckle Company

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Collectives are booming in the art world. And they have been for several decades. For the start of the summer semester 2023, the new issue of the Lerchenfeld Magazine is dedicated to the topic of collective practice in art, presents selected collectives, and also explores the dangers and problems of collective working.

Jahresausstellung 2023, Arbeit von Toni Mosebach / Nora Strömer; photo: Lukes Engelhardt

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Symposium: Controversy over documenta fifteen

With this symposium on documenta fifteen on the 1st and 2nd of February, the HFBK Hamburg aims to analyze the background and context, foster dialogue between different viewpoints, and enable a debate that explicitly addresses anti-Semitism in the field of art. The symposium offers space for divergent positions and aims to open up perspectives for the present and future of exhibition making.

Non-Knowledge, Laughter and the Moving Image, Grafik: Leon Lothschütz

Festival and Symposium: Non-Knowledge, Laughter and the Moving Image

As the final part of the artistic research project, the festival and symposium invite you to screenings, performances, talks, and discussions that explore the potential of the moving images and the (human and non-human) body to overturn our habitual course and change the dominant order of things.

Solo exhibition by Konstantin Grcic

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Amna Elhassan, Tea Lady, oil on canvas, 100 x 100 cm

Art and war

"Every artist is a human being". This statement by Martin Kippenberger, which is as true as it is existentialist (in an ironic rephrasing of the well-known Beuys quote), gets to the heart of the matter in many ways. On the one hand, it reminds us not to look away, to be (artistically) active and to raise our voices. At the same time, it is an exhortation to help those who are in need. And that is a lot of people at the moment, among them many artists. That is why it is important for art institutions to discuss not only art, but also politics.

Merlin Reichert, Die Alltäglichkeit des Untergangs, Installation in der Galerie der HFBK; photo: Tim Albrecht

Graduate Show 2022: We’ve Only Just Begun

From July 8 to 10, 2022, more than 160 Bachelor’s and Master’s graduates of the class of 2021/22 will present their final projects from all majors. Under the title Final Cut, all graduation films will be shown on a big screen in the auditorium of the HFBK Hamburg. At the same time, the exhibition of the Sudanese guest lecturer Amna Elhassan can be seen in the HFBK gallery in the Atelierhaus.

Grafik: Nele Willert, Dennise Salinas

June is full of art and theory

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Renée Green. ED/HF, 2017. Film still. Courtesy of the artist, Free Agent Media, Bortolami Gallery, New York, and Galerie Nagel Draxler, Berlin/Cologne/Munich.

Finkenwerder Art Prize 2022

The Finkenwerder Art Prize, initiated in 1999 by the Kulturkreis Finkenwerder e.V., has undergone a realignment: As a new partner, the HFBK Hamburg is expanding the prize to include the aspect of promoting young artists and, starting in 2022, will host the exhibition of the award winners in the HFBK Gallery. This year's Finkenwerder Art Prize will be awarded to the US artist Renée Green. HFBK graduate Frieda Toranzo Jaeger receives the Finkenwerder Art Prize for recent graduates.

Amanda F. Koch-Nielsen, Motherslugger; photo: Lukas Engelhardt

Nachhaltigkeit im Kontext von Kunst und Kunsthochschule

Im Bewusstsein einer ausstehenden fundamentalen gesellschaftlichen Transformation und der nicht unwesentlichen Schrittmacherfunktion, die einem Ort der künstlerischen Forschung und Produktion hierbei womöglich zukommt, hat sich die HFBK Hamburg auf den Weg gemacht, das Thema strategisch wie konkret pragmatisch für die Hochschule zu entwickeln. Denn wer, wenn nicht die Künstler*innen sind in ihrer täglichen Arbeit damit befasst, das Gegebene zu hinterfragen, genau hinzuschauen, neue Möglichkeiten, wie die Welt sein könnte, zu erkennen und durchzuspielen, einem anderen Wissen Gestalt zu geben

New studio in the row of houses at Lerchenfeld, in the background the building of Fritz Schumacher; photo: Tim Albrecht

Raum für die Kunst

After more than 40 years of intensive effort, a long-cherished dream is becoming reality for the HFBK Hamburg. With the newly opened studio building, the main areas of study Painting/Drawing, Sculpture and Time-Related Media will finally have the urgently needed studio space for Master's students. It simply needs space for their own ideas, for thinking, for art production, exhibitions and as a depot.

Martha Szymkowiak / Emilia Bongilaj, Installation “Mmh”; photo: Tim Albrecht

Annual Exhibition 2022 at the HFBK

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Annette Wehrmann, photography from the series Blumensprengungen, 1991-95; photo: Ort des Gegen e.V., VG-Bild Kunst Bonn

Conference: Counter-Monuments and Para-Monuments.

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23 Fragen des Institutional Questionaire, grafisch umgesetzt von Ran Altamirano auf den Türgläsern der HFBK Hamburg zur Jahresausstellung 2021; photo: Charlotte Spiegelfeld

Diversity

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ASA Open Studio 2019, Karolinenstraße 2a, Haus 5; photo: Matthew Muir

Live und in Farbe: die ASA Open Studios im Juni 2021

Since 2010, the HFBK has organised the international exchange programme Art School Alliance. It enables HFBK students to spend a semester abroad at renowned partner universities and, vice versa, invites international art students to the HFBK. At the end of their stay in Hamburg, the students exhibit their work in the Open Studios in Karolinenstraße, which are now open again to the art-interested public.

Studiengruppe Prof. Dr. Anja Steidinger, Was animiert uns?, 2021, Mediathek der HFBK Hamburg, Filmstill

Unlearning: Wartenau Assemblies

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Ausstellungsansicht "Schule der Folgenlosigkeit. Übungen für ein anderes Leben" im Museum für Kunst und Gewerbe Hamburg; photo: Maximilian Schwarzmann

School of No Consequences

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Annual Exhibition 2021 at the HFBK

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Katja Pilipenko

Semestereröffnung und Hiscox-Preisverleihung 2020

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Exhibition Transparencies with works by Elena Crijnen, Annika Faescke, Svenja Frank, Francis Kussatz, Anne Meerpohl, Elisa Nessler, Julia Nordholz, Florentine Pahl, Cristina Rüesch, Janka Schubert, Wiebke Schwarzhans, Rosa Thiemer, Lea van Hall. Organized by Prof. Verena Issel and Fabian Hesse; photo: Screenshot

Teaching Art Online at the HFBK

How the university brings together its artistic interdisciplinary study structure with digital formats and their possibilities.

Alltagsrealität oder Klischee?; photo: Tim Albrecht

HFBK Graduate Survey

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Ausstellung Social Design, Museum für Kunst und Gewerbe Hamburg, Teilansicht; photo: MKG Hamburg

How political is Social Design?

Social Design, as its own claim is often formulated, wants to address social grievances and ideally change them. Therefore, it sees itself as critical of society – and at the same time optimizes the existing. So what is the political dimension of Social Design – is it a motor for change or does it contribute to stabilizing and normalizing existing injustices?