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26.4. – 10.5.2024
Archives of the Body: Imagining a Different Corpus

  • Venue:

  • ICAT HFBK Hamburg

The exhibition Archives of the Body: Imagining a Different Corpus brings together works created by HFBK students who explore within their artistic works their personal experiences in relation to social and political histories. From nuclear disasters of Chernobyl inside the family archive; the aftermaths of paramilitary activities in Colombia in permeable absences; finding the words to speak about corporal vulnerability, suffering, and care; neoliberal fantasies of total preservation through cryonics and the elimination of death; to feminist histories in Iran; and all the intimacies of the body––these projects are all grounded in artistic research. Many of the artists have expanded their research into texts that call be read in the digital publication Archives of the Body––The Body in Archiving.

Archives of the Body: Imagining a Different Corpus is curated by Vanessa Gravenor

Daily open from 2 to 6 pm, closed on mondays.

Screening: Politics of Intimacy and the Intimacy of Politics

The exhibition also presents artworks of the cinematic research group Politics of Intimacy and the Intimacy of Politics’(ARPI), guided by filmmaker and HFBK-Professor Adina Pintilie.

27.4.2024, 11 am – 8 pm
Screening & discussion: Politics of Intimacy and the Intimacy of Politics
Extended Library, 2nd floor, HFBK Hamburg, Lerchenfeld 2

Their contribution will be accompanied by a screening program, where the research group will present a selection of footage from their ongoing work process, followed by conversations with the artists.

Bios of the artists.

Serafima Bresler is an artist and researcher working in Hamburg. Bresler’s works trace the aftermath of the Chernobyl catastrophe and disinformation in Soviet and post-countries. She often uses the lens of her personal family archive, working with the medium of printmaking. She is finishing her master’s degree in Time-based Media at University of Fine Arts Hamburg, and earned her BA in Illustration (2020) from the British Higher School of Art & Design (BHSAD), Moscow. In 2023, she was awarded an Achievement Grant Award for International Students from the Hamburg Ministry of Sciences, co-financed by Karl H. Ditze Stiftung. She has had exhibitions at the Klub der Künste, Deichtorhallen, Hamburg; xpon-art gallery, Hamburg; and Kunstverein L102.art, Berlin. Currently, Bresler is the leader of the Artworkshop.hh project, which provides free art workshops for refugees from Ukraine.

See more on her Website.


Luzia Cruz
is a visual artist based in Hamburg. Her work focusses on the fragility of social mechanisms that regulate technological development, in tension with the extraction of natural resources. Cruz is pursuing a master’s degree in Thomas Demand’s/Ed Atkins’s class at the University of Fine Arts Hamburg (HFBK) and holds a scholarship from Calouste Gulbenkian Foundation. She completed her bachelor’s degree at the HFBK, and previously studied at the Faculty of Fine Arts at the University of Lisbon and the University of the Arts, Berlin, as an Erasmus student. Cruz is co-founder and co-director of EGEU Cultural Association, since 2019. In 2023, Luzia took part in La Wayaka Current residency program, Chile, in group shows such as Free Roam, RESORT, An Update on Cranes, and lately in publications such as ALCAZAR and DOSE Magazine.


Saba Emadabadi is an Iranian Artist and Stage designer based in Hamburg, Germany. Her works in installation, sculpture and film originate from personal struggles framed by social and political experiences. Drawing from her background in theater which she was involved in from a young age, she intertwines storytelling, forms of literature such as self-written poems and theatrical plays and immersive atmospheres to engage audiences on a profound level. Saba Emadabadi has an associate degree in stage design from Soore University, Tehran and is currently pursuing a Bachelor of Fine Arts with a focus on installation and stage design at HFBK Hamburg. Her works have been part of exhibitions in ICAT Gallery and Imagine the City. She also actively contributes to theater and film productions; examples of this would be Dantons Tod Reloaded at Thalia theater, 1h22 vor dem Ende at St. Pauli theater and The rooms we share, a short film by Hamburg Media School production.


Bo Friedrich
is a filmmaker and cinematographer based in Hamburg, currently studying their bachelor's degree in film at the HFBK University of Fine Arts Hamburg, with Prof. Adina Pintilie. In their works, Bo is interested in the interplay between identity and socio-political conflicts, especially in the context of the current climate crisis. Through close and sensitive observation of processes and human behavior, mixed with personal reflections in linguistic form, Bo’s cinematic language investigates the intricate interconnectedness between the personal and the political. Their previous works have been presented in the university context; currently, they are developing their graduation film.


Laura Gómez
is a visual artist and graphic designer living and working in Hamburg. She holds a Bachelor’s in Fine Art from the National University of Colombia, where she majored in drawing and became interested in editorial design. After winning the DAAD Scholarship for Postgraduate Studies in Fine Arts, she began her MFA at the University of Fine Arts, Hamburg with Wigger Bierma, and afterwards, she joined the painting class of Rajkamal Kahlon. During her studies, she built an editorial practice including editorial design, translation, illustration, and painting. Her work is usually related to everyday life and personal experiences, working on a common basis with personal archives.


Catalina González González
is a queer artist and filmmaker from Colombia, based in Hamburg. Following their bachelor's studies in visual arts at the Pontificia Universidad Javeriana in Bogotá, Catalina is currently finishing their master's degree in film at the HFBK University of Fine Arts Hamburg, with professor Adina Pintilie. They works with autofiction in the medium of film and video. Through narrations of everyday life, their films reflect on trauma and ghosts, generating questions about sexual identity, migration, and political conflicts. By sensitively and closely observing their daily life and the people who surround them, Catalina's projects move between the lines of the undefined, of the hybridizations of space-time, of fiction and non-fiction, of the absent and the present, investigating tensions between distance and proximity. Some of their films have been shown in group exhibitions and film festivals, such as GAK Gesellschaft für Aktuelle Kunst Bremen, Bucharest International Queer Film Festival 2021, etc.


Born in Taiwan, Kai Jou Liao is a filmmaker currently living and working in Berlin. She holds a degree in Political Science from the National University of Taiwan and a second BA in Film from the HFBK University of Fine Arts Hamburg. Working as a filmmaker and actress in Germany and Taiwan, Kai's work delves into the intersection of fiction and reality, investigating the intricacies of human relationships. Her short film ‘They Disappear, I Disappear’ (2023) was selected for the 40th Kasseler Dokfest and nominated for the Junges Dokfest A38-Production-Grant Kassel-Halle. Her earlier work, Otter Space (2016), gained international recognition at festivals including Short Film Festival Osaka and Youth Film Festival in Taiwan. She has recently worked as the leading actress in the feature film Sleep with Your Eyes Open, directed by Nele Wohlatz, winner of the FIRPRESCI Award at the 2024 Berlinale.


Morgana de Mello
is a multidisciplinary artist and musician from Brazil’s south, currently based in Hamburg. Conducting her bachelor’s studies under the guidance of Prof. Adina Pintilie, her artistic research focuses on scenarios of socio-political violence and their physical and psychological effects. Morgana performs regularly with her punk band NÃO, where central topics of the lyrics are dictatorship, sex work, and poverty in Brasil, as well as the compulsory drug dependence treatment policies there. She also works with film as a therapeutic tool for adults besides developing music therapy techniques that enhance bodily self-awareness for children with severe disabilities in Hamburg. Morgana presented her multimedia project Brazil is My Abyss at the Goldsmiths University of London last year, accompanied by a performative intervention. Her first collaboration as a cinematographer, the film Arg_Gubbe.mov, has just premiered at Tempo Documentary Film Festival Stockholm. Morgana is currently creating a video piece on the Latin Diaspora in the south of Stockholm for the Konsthall C.


Merle Morzé
is an artist and filmmaker from Austria. After her graduation in graphic design in Vienna, she now studies film with Adina Pintilie at the HFBK University of Fine Arts. Her artistic research encompasses not only film, but also installations and performative methodologies. Central to her practice is the exploration of the human body and its significance in shaping (while being shaped by) social and political dynamics. Therefore, Merle delves deep into bodily experiences. One recurring theme is the concept of pain. She investigates its multifaceted layers, examining not only its physical manifestations but also its psychological and spiritual dimensions. Through her work, she scrutinizes society's attitudes towards pain, unraveling its complex implications and the potential for transformative spiritual experiences it opens. Her previous works have been presented in the university context.


Sarah Savalanpour
is an Iranian artist, filmmaker, and art-mediator. Her practice involves archival research and filmmaking; using both documentary and fictional formats, her work investigates alternative narratives and the possibility of an imaginary archive in the fields of art and education. In her works, she frequently uses oral histories, found footage, and questions the role of the past and memory in the future of the archive and women’s cinema in particular. She earned a bachelor’s degree in fine art from Tehran University of Art and Architecture and has been a student at University of Fine Arts Hamburg since 2019. After completing her bachelor’s in fine arts in the Time-Based Media Department, she is currently pursuing a Master of Art Education.

See more on her Website.


Kristina Savutsina (Крысціна Савуціна)
is an artist, filmmaker and translator from Belarus who currently lives in Hamburg. Savutsina received her MFA from the University of Fine Arts Hamburg, where she studied with Adina Pintilie. Her medium-length artistic documentary Khan's Flesh has been shown at various film festivals and art exhibitions: Visions du Réel in Nyon (CH), Rencontres Internationales Paris/Berlin, Trieste Film Festival, dokumentarfilmwoche Hamburg. In her work, she examines situations and details of what is commonly referred to as normality, traces, and symptoms of regulatory politics and their inscription on bodies.


Daniel Suárez
is a visual artist living and working in Hamburg. He graduated from the National University of Colombia in 2018 and is currently a master’s student at the University of Fine Arts Hamburg with Rajkamal Kahlon. His recent work is based on memories and visuals from Colombia, in regards to its history and sociopolitical context. Reflecting on topics like violence, vulnerability, and death, he has created a body of work comprised of paintings, drawings, and etchings. In 2019, he was an artist in residence at Sitka Fine Arts Camp, Alaska, working on colonialism and the history of native cultures. In 2023, he was awarded an academic exchange to Goldsmiths, University of London by the Art School Alliance, to develop a project on collective memories of Latin American immigrants.

See more on his Website.


Elisa Tenca
is a visual artist who lives and works in Hamburg. She is currently a master's student in the Time-based Media Department at the University of Fine Arts Hamburg. Her research focuses on the importance of the archive in the context of neurodegenerative diseases. She is in the process of developing her family archive as a means of critically reflecting on the assignment of gender roles and family dynamics. For her, working on the family archive goes beyond sentimentality; it becomes a form of care.

Archives of the Body - The Body in Archiving

With a symposium, an exhibition, a film programme and a digital publication, the research project conceived by Prof. Hanne Loreck and Vanessa Gravenor examines the "archive" as a form of order with regard to the human body. Which body archives and discourses have become established? What potentials for political-aesthetic resistance and activism could and can emerge?

Sharon Poliakine, Untitled, 2023, oil on canvas, detail

New partnership with the School of Arts at the University of Haifa

On the occasion of a new partnership with the School of Arts at the University of Haifa, the HFBK Hamburg is presenting an exhibition by the artists Birgit Brandis, Sharon Poliakine and HFBK students.

photo: Ronja Lotz

Exhibition recommendations

Numerous exhibitions with HFBK participation are currently on display. We present a small selection and invite you to visit the exhibitions during the term break.

Visitors of the annual exhibition 2024; photo: Lukes Engelhardt

Annual Exhibition 2024 at the HFBK Hamburg

From February 9 -11, 2024 (daily 2-8 pm) the students of HFBK Hamburg present their artistic productions from the past year. In addition, the exhibition »Think & Feel! Speak & Act!« curated by Nadine Droste, as well as the presentation of exchange students from Goldsmiths, University of London, can be seen at ICAT.

Examination of the submitted portfolios

How to apply: study at HFBK Hamburg

The application period for studying at the HFBK Hamburg runs from 1 February to 5 March 2024, 4 p.m. All important information can be found here.

photo: Tim Albrecht

(Ex)Changes of / in Art

There's a lot going on at the HFBK Hamburg at the end of the year: exhibitions at ICAT, the ASA students' Open Studios in Karolinenstraße, performances in the Extended Library and lectures in the Aula Wartenau.

Extended Libraries

Knowledge is now accessible from anywhere, at any time. In such a scenario, what role(s) can libraries still play? How can they support not only as knowledge archives but also as facilitators of artistic knowledge production? As an example, we present library projects by students and alumni, as well as our new knowledge space: the Extended Library.

Semester Opening 2023/24

We welcome the many new students to the HFBK Hamburg for the academic year 2023/24. A warm welcome also goes to the new professors, whom we would like to introduce to you here.

And Still I Rise

For over 20 years, US artist Rajkamal Kahlon has been interested in the connections between aesthetics and power, which are organized across historical and geographical boundaries, primarily through violence. With this solo exhibition, the HFBK Hamburg presents the versatile work of the professor of painting and drawing to the Hamburg art public for the first time.

photo: Lukes Engelhardt

photo: Lukes Engelhardt

No Tracking. No Paywall.

Just Premium Content! The (missing) summer offers the ideal opportunity to catch up on what has been missed. In our media library, faculty, students and alumni share knowledge and discussions with us - both emotional moments and controversial discourses. Through podcasts and videos, they contribute to current debates and address important topics that are currently in focus.

Let's talk about language

There are currently around 350 international students studying at the HFBK Hamburg, who speak 55 different languages - at least these are the official languages of their countries of origin. A quarter of the teaching staff have an international background. And the trend is rising. But how do we deal productively with the multilingualism of university members in everyday life? What ways of communication can be found? The current Lerchenfeld issue looks at creative solutions for dealing with multilingualism and lets numerous former international students have their say.

photo: Miriam Schmidt / HFBK

Graduate Show 2023: Unfinished Business

From July 13 to 16, 2023, 165 Bachelor's and Master's graduates of the class of 2022/23 will present their final projects from all areas of study. Under the title Final Cut, all graduation films will be shown on a big screen in the auditorium of the HFBK Hamburg.

A disguised man with sunglasses holds a star-shaped sign for the camera. It says "Suckle". The picture is taken in black and white.

photo: Honey-Suckle Company

Let`s work together

Collectives are booming in the art world. And they have been for several decades. For the start of the summer semester 2023, the new issue of the Lerchenfeld Magazine is dedicated to the topic of collective practice in art, presents selected collectives, and also explores the dangers and problems of collective working.

Jahresausstellung 2023, Arbeit von Toni Mosebach / Nora Strömer; photo: Lukes Engelhardt

Annual Exhibition 2023 at HFBK Hamburg

From February 10-12, students from all departments will present their artistic works at Lerchenfeld 2, Wartenau 15 and AtelierHaus, Lerchenfeld 2a. At ICAT, Tobias Peper, Artistic Director of the Kunstverein Harburger Bahnhof, curates an exhibition with HFBK master students. Also 10 exchange students from Goldsmiths, University of London will show their work there.

Symposium: Controversy over documenta fifteen

With this symposium on documenta fifteen on the 1st and 2nd of February, the HFBK Hamburg aims to analyze the background and context, foster dialogue between different viewpoints, and enable a debate that explicitly addresses anti-Semitism in the field of art. The symposium offers space for divergent positions and aims to open up perspectives for the present and future of exhibition making.

ASA Open Studios winter semester 2021/22; photo: Marie-Theres Böhmker

ASA Open Studios winter semester 2021/22; photo: Marie-Theres Böhmker

The best is saved until last

At the end of the year, once again there will be numerous exhibitions and events with an HFBK context. We have compiled some of them here. You will also find a short preview of two lectures of the professionalization program in January.

Non-Knowledge, Laughter and the Moving Image, Grafik: Leon Lothschütz

Non-Knowledge, Laughter and the Moving Image, Grafik: Leon Lothschütz

Festival and Symposium: Non-Knowledge, Laughter and the Moving Image

As the final part of the artistic research project, the festival and symposium invite you to screenings, performances, talks, and discussions that explore the potential of the moving images and the (human and non-human) body to overturn our habitual course and change the dominant order of things.

View of the packed auditorium at the start of the semester; photo: Lukas Engelhardt

View of the packed auditorium at the start of the semester; photo: Lukas Engelhardt

Wishing you a happy welcome

We are pleased to welcome many new faces to the HFBK Hamburg for the winter semester 2022/23. We have compiled some background information on our new professors and visiting professors here.

Solo exhibition by Konstantin Grcic

From September 29 to October 23, 2022, Konstantin Grcic (Professor of Industrial Design) will be showing a room-sized installation at ICAT - Institute for Contemporary Art & Transfer at the HFBK Hamburg consisting of objects designed by him and existing, newly assembled objects. At the same time, the space he designed for workshops, seminars and office workstations in the AtelierHaus will be put into operation.

Amna Elhassan, Tea Lady, oil on canvas, 100 x 100 cm

Amna Elhassan, Tea Lady, oil on canvas, 100 x 100 cm

Art and war

"Every artist is a human being". This statement by Martin Kippenberger, which is as true as it is existentialist (in an ironic rephrasing of the well-known Beuys quote), gets to the heart of the matter in many ways. On the one hand, it reminds us not to look away, to be (artistically) active and to raise our voices. At the same time, it is an exhortation to help those who are in need. And that is a lot of people at the moment, among them many artists. That is why it is important for art institutions to discuss not only art, but also politics.

Merlin Reichert, Die Alltäglichkeit des Untergangs, Installation in der Galerie der HFBK; photo: Tim Albrecht

Graduate Show 2022: We’ve Only Just Begun

From July 8 to 10, 2022, more than 160 Bachelor’s and Master’s graduates of the class of 2021/22 will present their final projects from all majors. Under the title Final Cut, all graduation films will be shown on a big screen in the auditorium of the HFBK Hamburg. At the same time, the exhibition of the Sudanese guest lecturer Amna Elhassan can be seen in the HFBK gallery in the Atelierhaus.

Grafik: Nele Willert, Dennise Salinas

Grafik: Nele Willert, Dennise Salinas

June is full of art and theory

It has been a long time since there has been so much on offer: a three-day congress on the visuality of the Internet brings together international web designers; the research collective freethought discusses the role of infrastructures; and the symposium marking the farewell of professor Michaela Ott takes up central questions of her research work.

Renée Green. ED/HF, 2017. Film still. Courtesy of the artist, Free Agent Media, Bortolami Gallery, New York, and Galerie Nagel Draxler, Berlin/Cologne/Munich.

Renée Green. ED/HF, 2017. Film still. Courtesy of the artist, Free Agent Media, Bortolami Gallery, New York, and Galerie Nagel Draxler, Berlin/Cologne/Munich.

Finkenwerder Art Prize 2022

The Finkenwerder Art Prize, initiated in 1999 by the Kulturkreis Finkenwerder e.V., has undergone a realignment: As a new partner, the HFBK Hamburg is expanding the prize to include the aspect of promoting young artists and, starting in 2022, will host the exhibition of the award winners in the HFBK Gallery. This year's Finkenwerder Art Prize will be awarded to the US artist Renée Green. HFBK graduate Frieda Toranzo Jaeger receives the Finkenwerder Art Prize for recent graduates.

Amanda F. Koch-Nielsen, Motherslugger; photo: Lukas Engelhardt

Amanda F. Koch-Nielsen, Motherslugger; photo: Lukas Engelhardt

Nachhaltigkeit im Kontext von Kunst und Kunsthochschule

Im Bewusstsein einer ausstehenden fundamentalen gesellschaftlichen Transformation und der nicht unwesentlichen Schrittmacherfunktion, die einem Ort der künstlerischen Forschung und Produktion hierbei womöglich zukommt, hat sich die HFBK Hamburg auf den Weg gemacht, das Thema strategisch wie konkret pragmatisch für die Hochschule zu entwickeln. Denn wer, wenn nicht die Künstler*innen sind in ihrer täglichen Arbeit damit befasst, das Gegebene zu hinterfragen, genau hinzuschauen, neue Möglichkeiten, wie die Welt sein könnte, zu erkennen und durchzuspielen, einem anderen Wissen Gestalt zu geben

New studio in the row of houses at Lerchenfeld

New studio in the row of houses at Lerchenfeld, in the background the building of Fritz Schumacher; photo: Tim Albrecht

Raum für die Kunst

After more than 40 years of intensive effort, a long-cherished dream is becoming reality for the HFBK Hamburg. With the newly opened studio building, the main areas of study Painting/Drawing, Sculpture and Time-Related Media will finally have the urgently needed studio space for Master's students. It simply needs space for their own ideas, for thinking, for art production, exhibitions and as a depot.

Martha Szymkowiak / Emilia Bongilaj, Installation “Mmh”; photo: Tim Albrecht

Martha Szymkowiak / Emilia Bongilaj, Installation “Mmh”; photo: Tim Albrecht

Annual Exhibition 2022 at the HFBK

After last year's digital edition, the 2022 annual exhibition at the HFBK Hamburg will once again take place with an audience. From 11-13 February, students from all departments will present their artistic work in the building at Lerchenfeld, Wartenau 15 and the newly opened Atelierhaus.

Annette Wehrmann, photography from the series Blumensprengungen, 1991-95; photo: Ort des Gegen e.V., VG-Bild Kunst Bonn

Annette Wehrmann, photography from the series Blumensprengungen, 1991-95; photo: Ort des Gegen e.V., VG-Bild Kunst Bonn

Conference: Counter-Monuments and Para-Monuments.

The international conference at HFBK Hamburg on December 2-4, 2021 – jointly conceived by Nora Sternfeld and Michaela Melián –, is dedicated to the history of artistic counter-monuments and forms of protest, discusses aesthetics of memory and historical manifestations in public space, and asks about para-monuments for the present.

23 Fragen des Institutional Questionaire, grafisch umgesetzt von Ran Altamirano auf den Türgläsern der HFBK Hamburg zur Jahresausstellung 2021; photo: Charlotte Spiegelfeld

23 Fragen des Institutional Questionaire, grafisch umgesetzt von Ran Altamirano auf den Türgläsern der HFBK Hamburg zur Jahresausstellung 2021; photo: Charlotte Spiegelfeld

Diversity

Who speaks? Who paints which motif? Who is shown, who is not? Questions of identity politics play an important role in art and thus also at the HFBK Hamburg. In the current issue, the university's own Lerchenfeld magazine highlights university structures as well as student initiatives that deal with diversity and identity.

photo: Klaus Frahm

photo: Klaus Frahm

Summer Break

The HFBK Hamburg is in the lecture-free period, many students and teachers are on summer vacation, art institutions have summer break. This is a good opportunity to read and see a variety of things:

ASA Open Studio 2019, Karolinenstraße 2a, Haus 5; photo: Matthew Muir

ASA Open Studio 2019, Karolinenstraße 2a, Haus 5; photo: Matthew Muir

Live und in Farbe: die ASA Open Studios im Juni 2021

Since 2010, the HFBK has organised the international exchange programme Art School Alliance. It enables HFBK students to spend a semester abroad at renowned partner universities and, vice versa, invites international art students to the HFBK. At the end of their stay in Hamburg, the students exhibit their work in the Open Studios in Karolinenstraße, which are now open again to the art-interested public.

Studiengruppe Prof. Dr. Anja Steidinger, Was animiert uns?, 2021, Mediathek der HFBK Hamburg, Filmstill

Studiengruppe Prof. Dr. Anja Steidinger, Was animiert uns?, 2021, Mediathek der HFBK Hamburg, Filmstill

Unlearning: Wartenau Assemblies

The art education professors Nora Sternfeld and Anja Steidinger initiated the format "Wartenau Assemblies". It oscillates between art, education, research and activism. Complementing this open space for action, there is now a dedicated website that accompanies the discourses, conversations and events.

Ausstellungsansicht "Schule der Folgenlosigkeit. Übungen für ein anderes Leben" im Museum für Kunst und Gewerbe Hamburg; photo: Maximilian Schwarzmann

Ausstellungsansicht "Schule der Folgenlosigkeit. Übungen für ein anderes Leben" im Museum für Kunst und Gewerbe Hamburg; photo: Maximilian Schwarzmann

School of No Consequences

Everyone is talking about consequences: The consequences of climate change, the Corona pandemic or digitalization. Friedrich von Borries (professor of design theory), on the other hand, is dedicated to consequence-free design. In “School of No Consequences. Exercises for a New Life” at the Museum für Kunst und Gewerbe Hamburg, he links collection objects with a "self-learning room" set up especially for the exhibition in such a way that a new perspective on "sustainability" emerges and supposedly universally valid ideas of a "proper life" are questioned.

Annual Exhibition 2021 at the HFBK

Annual exhibition a bit different: From February 12- 14, 2021 students at the Hamburg University of Fine Arts, together with their professors, had developed a variety of presentations on different communication channels. The formats ranged from streamed live performances to video programs, radio broadcasts, a telephone hotline, online conferences, and a web store for editions. In addition, isolated interventions could be discovered in the outdoor space of the HFBK and in the city.

Katja Pilipenko

Katja Pilipenko

Semestereröffnung und Hiscox-Preisverleihung 2020

On the evening of November 4, the HFBK celebrated the opening of the academic year 2020/21 as well as the awarding of the Hiscox Art Prize in a livestream - offline with enough distance and yet together online.

Exhibition Transparencies with works by Elena Crijnen, Annika Faescke, Svenja Frank, Francis Kussatz, Anne Meerpohl, Elisa Nessler, Julia Nordholz, Florentine Pahl, Cristina Rüesch, Janka Schubert, Wiebke Schwarzhans, Rosa Thiemer, Lea van Hall. Organized by Prof. Verena Issel and Fabian Hesse; photo: Screenshot

Exhibition Transparencies with works by Elena Crijnen, Annika Faescke, Svenja Frank, Francis Kussatz, Anne Meerpohl, Elisa Nessler, Julia Nordholz, Florentine Pahl, Cristina Rüesch, Janka Schubert, Wiebke Schwarzhans, Rosa Thiemer, Lea van Hall. Organized by Prof. Verena Issel and Fabian Hesse; photo: Screenshot

Teaching Art Online at the HFBK

How the university brings together its artistic interdisciplinary study structure with digital formats and their possibilities.

Alltagsrealität oder Klischee?; photo: Tim Albrecht

Alltagsrealität oder Klischee?; photo: Tim Albrecht

HFBK Graduate Survey

Studying art - and what comes next? The clichéd images stand their ground: Those who have studied art either become taxi drivers, work in a bar or marry rich. But only very few people could really live from art – especially in times of global crises. The HFBK Hamburg wanted to know more about this and commissioned the Faculty of Economics and Social Sciences at the University of Hamburg to conduct a broad-based survey of its graduates from the last 15 years.

Ausstellung Social Design, Museum für Kunst und Gewerbe Hamburg, Teilansicht; photo: MKG Hamburg

Ausstellung Social Design, Museum für Kunst und Gewerbe Hamburg, Teilansicht; photo: MKG Hamburg

How political is Social Design?

Social Design, as its own claim is often formulated, wants to address social grievances and ideally change them. Therefore, it sees itself as critical of society – and at the same time optimizes the existing. So what is the political dimension of Social Design – is it a motor for change or does it contribute to stabilizing and normalizing existing injustices?