22.5.2024, Wednesday 20:00 Uhr
Robert Walser-Sculpture - a presentation by Thomas Hirschhorn
Venue:
- Extended Library, Lerchenfeld 2, 22081 Hamburg
Web:
- mehr Infos
A presentation by Thomas Hirschhorn followed by a discussion with Tsaplya Olga Egorova and Dmitry Vilensky (Chto Delat).
“Be an Outsider! Be a Hero! Be Robert Walser!”, this was the motto of Thomas Hirschhorn's 86-day installation on Bahnhofplatz Biel/Bienne in summer 2019. Robert Walser-Sculpture is a work in public space that was created in Biel/Bienne together with residents of the city in honor of the Swiss writer Robert Walser. Thomas Hirschhorn will share his experiences with this specific work in public space, pointing out some of the most important decisions that need to be made for art in public space: Dedication, location, duration and impact.
As part of the block seminar The Lexicon of Emergency and the questions of pedagogy.
Thomas Hirschhorn was born in 1957 in Bern, Switzerland. After studying at the Kunstgewerbeschule Zürich, he moved to Paris in 1983 where he has been living and working since.
His work has been presented in many international exhibitions such as Skulptur Projekte Münster (1997), the Venice Biennale (1999 and 2015) where he represented Switzerland in 2011, Documenta11 (2002), 27th Sao Paolo Biennale (2006), 55th Carnegie International, Pittsburg (2008), La Triennale at Palais de Tokyo, Paris (2012), 9th Shanghai Biennale (2012), Manifesta 10 at Saint-Petersburg (2014), Atopolis Mons (2015), Kochi-Muziris Biennale (2018), Steirischer Herbst, Graz (2021). Other venues have hosted solo exhibitions, among which the Art Institute of Chicago (1998), Museum Ludwig, Cologne (1998), Bonnefanten Museum, Maastricht (2005), Institute of Contemporary Art, Boston (2005), Museum Tinguely, Basel (2013), South London Gallery (2015), Kunsthal Aarhus, (2017), Museum Villa Stuck, Munich (2018), GL Strand, Copenhagen (2021).
Over the years, Hirschhorn has created more than seventy works in public space, questioning the autonomy, the authorship and resistance of a work of art. These demanding projects include Musée Précaire Albinet (Aubervilliers, France, 2004), The Bijlmer Spinoza Festival (Amsterdam, 2009), Flamme Eternelle (Palais de Tokyo, Paris, 2014), What I can learn from you. What you can learn from me (Critical Workshop) (Remai Modern, Saskatoon 2018), and the Robert Walser-Sculpture (Fondation Exposition Suisse de Sculpture, Biel, Switzerland, 2019).