Interview series: Talking to...
Since 2019, we have been introducing the HFBK professors in short video interviews and talking to them about their artistic work and their understanding of teaching.
With this symposium on documenta fifteen on the 1st and 2nd of February, the HFBK Hamburg aims to analyze the background and context, foster dialogue between different viewpoints, and enable a debate that explicitly addresses anti-Semitism in the field of art. The symposium offers space for divergent positions and aims to open up perspectives for the present and future of exhibition making.
From February 1 to March 6, 2023, 4 p.m., you can apply to study at HFBK Hamburg. Please find all important info here.
At the end of the year, once again there will be numerous exhibitions and events with an HFBK context. We have compiled some of them here. You will also find a short preview of two lectures of the professionalization program in January.
As the final part of the artistic research project, the festival and symposium invite you to screenings, performances, talks, and discussions that explore the potential of the moving images and the (human and non-human) body to overturn our habitual course and change the dominant order of things.
We are pleased to welcome many new faces to the HFBK Hamburg for the winter semester 2022/23. We have compiled some background information on our new professors and visiting professors here.
From September 29 to October 23, 2022, Konstantin Grcic (Professor of Industrial Design) will be showing a room-sized installation at ICAT - Institute for Contemporary Art & Transfer at the HFBK Hamburg consisting of objects designed by him and existing, newly assembled objects. At the same time, the space he designed for workshops, seminars and office workstations in the AtelierHaus will be put into operation.
"Every artist is a human being". This statement by Martin Kippenberger, which is as true as it is existentialist (in an ironic rephrasing of the well-known Beuys quote), gets to the heart of the matter in many ways. On the one hand, it reminds us not to look away, to be (artistically) active and to raise our voices. At the same time, it is an exhortation to help those who are in need. And that is a lot of people at the moment, among them many artists. That is why it is important for art institutions to discuss not only art, but also politics.
From July 8 to 10, 2022, more than 160 Bachelor’s and Master’s graduates of the class of 2021/22 will present their final projects from all majors. Under the title Final Cut, all graduation films will be shown on a big screen in the auditorium of the HFBK Hamburg. At the same time, the exhibition of the Sudanese guest lecturer Amna Elhassan can be seen in the HFBK gallery in the Atelierhaus.
It has been a long time since there has been so much on offer: a three-day congress on the visuality of the Internet brings together international web designers; the research collective freethought discusses the role of infrastructures; and the symposium marking the farewell of professor Michaela Ott takes up central questions of her research work.
The Finkenwerder Art Prize, initiated in 1999 by the Kulturkreis Finkenwerder e.V., has undergone a realignment: As a new partner, the HFBK Hamburg is expanding the prize to include the aspect of promoting young artists and, starting in 2022, will host the exhibition of the award winners in the HFBK Gallery. This year's Finkenwerder Art Prize will be awarded to the US artist Renée Green. HFBK graduate Frieda Toranzo Jaeger receives the Finkenwerder Art Prize for recent graduates.
Im Bewusstsein einer ausstehenden fundamentalen gesellschaftlichen Transformation und der nicht unwesentlichen Schrittmacherfunktion, die einem Ort der künstlerischen Forschung und Produktion hierbei womöglich zukommt, hat sich die HFBK Hamburg auf den Weg gemacht, das Thema strategisch wie konkret pragmatisch für die Hochschule zu entwickeln. Denn wer, wenn nicht die Künstler*innen sind in ihrer täglichen Arbeit damit befasst, das Gegebene zu hinterfragen, genau hinzuschauen, neue Möglichkeiten, wie die Welt sein könnte, zu erkennen und durchzuspielen, einem anderen Wissen Gestalt zu geben
After more than 40 years of intensive effort, a long-cherished dream is becoming reality for the HFBK Hamburg. With the newly opened studio building, the main areas of study Painting/Drawing, Sculpture and Time-Related Media will finally have the urgently needed studio space for Master's students. It simply needs space for their own ideas, for thinking, for art production, exhibitions and as a depot.
After last year's digital edition, the 2022 annual exhibition at the HFBK Hamburg will once again take place with an audience. From 11-13 February, students from all departments will present their artistic work in the building at Lerchenfeld, Wartenau 15 and the newly opened Atelierhaus.
The international conference at HFBK Hamburg on December 2-4, 2021 – jointly conceived by Nora Sternfeld and Michaela Melián –, is dedicated to the history of artistic counter-monuments and forms of protest, discusses aesthetics of memory and historical manifestations in public space, and asks about para-monuments for the present.
Who speaks? Who paints which motif? Who is shown, who is not? Questions of identity politics play an important role in art and thus also at the HFBK Hamburg. In the current issue, the university's own Lerchenfeld magazine highlights university structures as well as student initiatives that deal with diversity and identity.
The HFBK Hamburg is in the lecture-free period, many students and teachers are on summer vacation, art institutions have summer break. This is a good opportunity to read and see a variety of things:
Since 2010, the HFBK has organised the international exchange programme Art School Alliance. It enables HFBK students to spend a semester abroad at renowned partner universities and, vice versa, invites international art students to the HFBK. At the end of their stay in Hamburg, the students exhibit their work in the Open Studios in Karolinenstraße, which are now open again to the art-interested public.
The art education professors Nora Sternfeld and Anja Steidinger initiated the format "Wartenau Assemblies". It oscillates between art, education, research and activism. Complementing this open space for action, there is now a dedicated website that accompanies the discourses, conversations and events.
Everyone is talking about consequences: The consequences of climate change, the Corona pandemic or digitalization. Friedrich von Borries (professor of design theory), on the other hand, is dedicated to consequence-free design. In “School of No Consequences. Exercises for a New Life” at the Museum für Kunst und Gewerbe Hamburg, he links collection objects with a "self-learning room" set up especially for the exhibition in such a way that a new perspective on "sustainability" emerges and supposedly universally valid ideas of a "proper life" are questioned.
Annual exhibition a bit different: From February 12- 14, 2021 students at the Hamburg University of Fine Arts, together with their professors, had developed a variety of presentations on different communication channels. The formats ranged from streamed live performances to video programs, radio broadcasts, a telephone hotline, online conferences, and a web store for editions. In addition, isolated interventions could be discovered in the outdoor space of the HFBK and in the city.
On the evening of November 4, the HFBK celebrated the opening of the academic year 2020/21 as well as the awarding of the Hiscox Art Prize in a livestream - offline with enough distance and yet together online.
How the university brings together its artistic interdisciplinary study structure with digital formats and their possibilities.
Studying art - and what comes next? The clichéd images stand their ground: Those who have studied art either become taxi drivers, work in a bar or marry rich. But only very few people could really live from art – especially in times of global crises. The HFBK Hamburg wanted to know more about this and commissioned the Faculty of Economics and Social Sciences at the University of Hamburg to conduct a broad-based survey of its graduates from the last 15 years.
Social Design, as its own claim is often formulated, wants to address social grievances and ideally change them. Therefore, it sees itself as critical of society – and at the same time optimizes the existing. So what is the political dimension of Social Design – is it a motor for change or does it contribute to stabilizing and normalizing existing injustices?